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| SOURCE: BOLLYWOOD-STAR |
The first trailer of the flick is out and it once again promises the typical Salman Masala with full time romance, dance, masti and action. The movie directed by Anees Bazmee is the remake of a successful Telugu film with the same name and is set for June 3 release. The musical notes for the film are from Pritam.
Apart from Salman and Asin, the movie stars Paresh Rawal, Arya Babbar and Mahesh Manjrekar who all are in supporting roles. Ajay Devgan, Sanjay Dutt, Kangana Ranaut, Zarine Khan and Arbaaz Khan will make cameo appearances in the film.
The trailer shows how Salman fights for his love and punishes the bad boys.
Mallika Sherawat is known not only for her sex appeal but also for a rather big mouth. However, there is one person who swears to the innocence and simplicity for our sex kitten and he is none other than the very talented actor Om Puri.
When Om Puri got an opportunity to work with Sherawat, he was rather apprehensive because of Mallika is known for her attitude and the habit of throwing tantrums on the sets of her films.
However, when Om Puri met and shot a song with Mallika recently, he discovered that the actual Mallika was just the very opposite of her image. He describes her as a very “down to earth” and “innocent” person. The two bonded well hailing from neighbouring states, Mallika from Haryana and Puri from Punjab.
Now that Puri is so very impressed and taken over by Mallika’s goody goody nature that he calls her with a new name ‘Mallika Sharafat’!!
When Om Puri got an opportunity to work with Sherawat, he was rather apprehensive because of Mallika is known for her attitude and the habit of throwing tantrums on the sets of her films.
However, when Om Puri met and shot a song with Mallika recently, he discovered that the actual Mallika was just the very opposite of her image. He describes her as a very “down to earth” and “innocent” person. The two bonded well hailing from neighbouring states, Mallika from Haryana and Puri from Punjab.
Now that Puri is so very impressed and taken over by Mallika’s goody goody nature that he calls her with a new name ‘Mallika Sharafat’!!
Koena Mitra was last in news when she had a milkshake named after her. Since then, the news columns have been missing her as the girl had shifted her base to LA and was hunting hard for a Hollywood project. After putting in a lot of efforts, the girl has started her first Hollywood film, Story of Naomi, being produced by Michael Hirshenson of the When Harry Met Sally fame and directed by the ace fashion photographer Ash Gupta.
The movie has Koena play a bisexual girl who gets attracted to men and women equally. The movie also features actor Kevin Sorbo and Chris Devicchio. The first poster of the film shows Koena getting intimate with another girl.
Producer Hirshenson is all praises for Koena and says, “She looks international and her discipline and hard work can take her places. It all depends on how much she’s ready to learn.”
And it seems, the producer is quite right as this model-turned-actress has worked on her accent and was taking classes for it as the West puts more stress on dubbing and other technicalities
The movie has Koena play a bisexual girl who gets attracted to men and women equally. The movie also features actor Kevin Sorbo and Chris Devicchio. The first poster of the film shows Koena getting intimate with another girl.
Producer Hirshenson is all praises for Koena and says, “She looks international and her discipline and hard work can take her places. It all depends on how much she’s ready to learn.”
And it seems, the producer is quite right as this model-turned-actress has worked on her accent and was taking classes for it as the West puts more stress on dubbing and other technicalities
MUMBAI: Ranbir Kapoor has revealed that he is keen to become part of the Dhoom action franchise.
The actor said that he wants to be able to flex his muscles as an action hero for the first time, Hindustan Times has revealed.
He told the paper: "If another sequel to the Dhoom series is planned, I would love to be part of it.
"I hope that at some point I get an action film so that I can make a good body and put on some muscle. If I hit a villain it should look real."
Kapoor has mostly been seen in romances and youth films such as Wake Up Sid.
Dhoom spawned one sequel in 2006, two years after the original film about a motorcycle gang.
The 2004 movie starred John Abraham, Abhishek Bachchan and Esha Deol. The third instalment of the action series was announced in February this year, with Bachchan expected to take on his previous role
The actor said that he wants to be able to flex his muscles as an action hero for the first time, Hindustan Times has revealed.
He told the paper: "If another sequel to the Dhoom series is planned, I would love to be part of it.
"I hope that at some point I get an action film so that I can make a good body and put on some muscle. If I hit a villain it should look real."
Kapoor has mostly been seen in romances and youth films such as Wake Up Sid.
Dhoom spawned one sequel in 2006, two years after the original film about a motorcycle gang.
The 2004 movie starred John Abraham, Abhishek Bachchan and Esha Deol. The third instalment of the action series was announced in February this year, with Bachchan expected to take on his previous role
Mumbai : The Movie "Udaan" named best movie of the year. The 17th Star Screen Awards 2011 show held at Bandra Kurla complex in Mumbai. No of stars like Shahrukh, Suleman, Ajay, Vidya BalanVidya Balan, Sonakshi, Aishuria Roy, Arshad WarsiArshad Warsi and many others. Beauty Queen Aishuria Roy ammused the audience by his performance. New comer actress Aonakashi repated her famous dialogue, " Saab, thappar se dar nahin lagta, piar se dar lagta hai". Also Suleman Khan entertained the audience by amazing dance on " Munni badnamm hoi" song. In nutshell the show was amazing entertaining.Best Movieof the Year 2010 Award to “ Udaan “
Best Director Vikramaditya Motwane for Udaan
Best Male Actor Salman KhanSalman Khan for Dabangg
Best Male Actor Popular Choice Award to King Khan, Shahrukh KhanShahrukh Khan for My Name Is Khan
Best Female Actor Vidya Balan for the movie Ishqiya
Best Female Actor Popular Choice to Katrena Kaif for movie Raajneeti and Tees Maar Khan
Most Promising Male Newcomer Ranveer Singh for movie Band Baaja Baaraat
Most Promising Female Newcomer Sonakshi SinhaSonakshi Sinha for movie Dabangg
Best Male Actor in a Supporting Role Arshad Warsi for movie Ishqiya
Best Female Actor in a Supporting Role Shernaz Patel for movie Guzaarish
Best Male Comedian Sanjay Mishra for movie Phas Gaye Re Obama
Best Performer Award Ajay Devgn for comedy movie Golmaal 3
Best Music Award Sajid Wajid for Dabangg popular songs (Munni badnam hoi, Tere Mast Mast nain)
Best Male Playback Singer Rahat Fateh Ali KhanAli Khan for Dil Toh Baccha Hai Ji and Ishqiya
Best Female Playback Singer to Miss Shreya Ghoshal for Bahara and I Hate Luv Storys movies
Best LyricsAward Gulzar for movie Dil Toh Baccha Hai Ji - Ishqiya
Best Story Award to AmitAmit Rai for Road To Sangam
Best Art Direction Award to Mukund Gupta for Do Dooni Chaar
Best ActionMaster to Vijayan for Dabangg (Suleman and Sonakshi)
Best Dialogueto Habib Faisal for Band Baaja Baraat
Best Child Artiste to Ayaan Barodia for movie Udaan
Indian Bollywood King Shah Rukh KhanShah Rukh Khan face an allegation of Tax defaulter by the Income tax department.
The whispering winds have whispered and what a mischievous naughty tale, they tell. All the gossip groups better get your notebooks out, because Minissha Lamba the hot and sexy actress of - "Bachna Ae Haseeno" and "Kidnap" has been caught by curious eyes, romancing a certain "Mr. P".
Secret reports shock, by saying that Minissha just can't keep her hands of this love she more than fraternizes with. When Mr. P is around Minissha always has this excited spark in her eyes like all she wants is to just play... all day and night if possible. Apart from all the love and P.D.A the babe from Bollywood also seems extremely possessive about Mr. P and she just can't stand the idea of losing Mr. P to another, every time she sees any other indulging in the addictive Mr. P Minissha is spotted immediately nearby, playing for possession.
If that is not love, one must wonder - "what is?" However, who is this Mr.P after-all? well without further ado and much prancing around the pony... undoubtedly and after much confirmation and re-conformation from reliable sources... it has been found that, not intending the pun with a "P", Minissha's Mr. P is none other than the game that so many love - 'Poker'. She has a penchant and is totally addicted to the game.
Pretty and petite actress and fashion designer Shama Sikandar showcased her Cocktail and Party collection from Saisha at Laughing Cavalier in Mahim. Celebs & friends Smilie Suri, Shweta Bhardwaj, Yuvika Choudhary, Sampade Vaaze, Pony Verma, Parull Choudhry, Sudeepa, Raavi Gupta, Sayantani Ghosh, Popi and Chez Shetty walked and sashay her designs on the ramp under the canopy of glittering stars. Other celebs seen at the fashion show were Ruslaan, Anjana Mumtaz, Ravi Behel, Munisha Khatwani, Sanjeeda Sheikh, Amir Ali, Shashi Ranjan, Shaheer etc.
"This season it is only about short dresses and gowns. Focus is more on styling and cuts because they really compliment a woman's silhouette. Colours are mostly solids like Whites, Blacks, Grey and auburn," says she. Shama, who has been walking the ramp for elite designers like Ritu Kumar, Nisha Jamwal, Shaina NC and Neeta Lulla, has always been appreciated as a fashion connoisseur. Her impeccable dressing sense and grace is what she has transacted it into her designs.
Shama, who has recently taken to fashion designing, was seen as one of the leads in film Dhoom Dhadaka. On television she has played the role of Puja in serial YEH MERI LIFE HAI, was main lead Shunya in SEVEN of Yash Raj on Sony TV and has done few episode of Aahat. She had also participated in the reality show Ek Khiladi Ek Haseena with Vinod Kambli.
She is also learning to play Violin because it is a very romantic instrument. Other hobbies are Dancing, Kick Boxing, Swimming and gyming. Dhoom Dhadaka.
Sometimes, if you are really lucky, you can get as much time as you need for an interview. But on average, the PR people limit you to about ten minutes. With some stars that works, but with others it is not nearly enough time and Aamir Khan is one of those stars. I could have used thirty more minutes or longer (I can dream), but even in just those ten minutes the actor/producer gave us such in-depth and wonderful answers to our questions about his new film, Dhobi Ghat. The film, directed by his wife Kiran Rao, is not your average Hindi film. As Aamir says, "It is such an unusual story about such unusual characters" and to make that all come alive Rao shot it in unusual ways, including hidden cameras on the streets of Mumbai. Dhobi Ghat (Mumbai Diaries) is the story of four people from very different backgrounds, whose worlds intersect and leave them forever altered. As they find themselves drawn into compelling relationships, the city finds its way into the crevices of their lives, separating them even as it brings them closer...Fragments of their experience - seen through a naive video diary, black and white photographic images and painting - form a portrait of Mumbai and its people. Find out what Aamir told us about the film he not only agreed to produce after hearing the first reading, but wanted to star in as well.When Kiran Rao first came to you with the idea and the script what were your first thoughts?
When Kiran told me she was first working on a script and then she said, 'Once it is all done I will read it out to you', at that point of time I was nervous because I was like, 'Oh God. What if I don't like it?' Once she did finish it and read it out to me I really loved it. I found it really amazing. I thought Kiran had done such a fine job of writing such a beautiful screenplay. It is such an unusual story about such unusual characters. It is a story that is a very delicately written. It is a story about moments and it is a slice of life kind of film. I just fell in love with it and I told her straight away that I would be happy to produce it and help her in anyway she wants to make this film.
When you first heard that script narration did you want to play Arun?
Well, I have to say that I liked the character of Munna better. Just as an audience I liked the character of Munna better, but there is no way I could play that because the character is meant to be 18 years old and I am like what 45. So, there was no way I could play that part, but that is a part I loved. I was very keen to be part of Kiran’s first film. Apart from the fact that I loved the film and the script I just wanted to be there because it was an emotional thing for me - I really wanted to be there for her first film. But she didn't want me; she initially didn't want me in the film. She had good reasons for that. She didn't want me because she didn't want any known actor in the film, she didn't want the baggage of a known face up there on screen. She wanted the audience to experience these four characters completely with no baggage. She wanted to shoot in a very guerrilla style, in real locations and often in places that have a lot of crowds. Wanted to go in there with a small crew, shoot and move out. You can't do that with a known actor. These are the reasons why she didn't want me in the film. But then I did a screen test. I was hoping she would watch my screen test and she would feel that she found her Arun. Arun is a very challenging role. The character was very, very complex. That is kind of what happened. It all worked out.
It seems that Mumbai is almost a character in the film. Can you explain that?
That is also there in her writing and it is also there in her thoughts. What she is trying to say is that a city like Mumbai is shaped by all these people and the city also shapes us. We shape the city and the city shapes us and affects us in so many different ways. Within the city there are so many different cities. Each one of us is almost like an island. This is an island city. In fact, the title Dhobi Ghat is actually metaphorically used for the city. Dhobi Ghat is a place where all the clothes are washed, clothes from all over the place, from people who are rich, poor, different backgrounds, castes, religions...all of them come together and they kind of get mixed up in the water, they get washed and clean and something new comes out of it. Mumbai is pretty much a city like that, you have people from all over the world, all over the country, people with different backgrounds, languages, they come in and kind-of mix up here in the city. So, the city is like a Dhobi Ghat where all of us kind of get mixed in and then something new comes out.
As an actor how do you think Kiran did as a director?
She has been a fantastic director to work with. I really enjoyed working with her; she is one of the better directors I have worked with. It was a great experience for me. She is very clear about what she wants; she's a great leader. Her cast and crew really love, respect her and trust her. These are all qualities of a good director. I felt most secure in her hands. I trust her creative instincts. I was happy to be led by her. I had a great time working with her.
You premiered the film at Toronto International Film Festival and the film got a standing ovation. Tell us about that experience.
We were really thrilled with the kind of response it got in Toronto and not only that, but at the London Film Festival as well. Toronto was the first time the film was ever going to be viewed and we were really nervous about how people would react to it. We were quite relieved that people really liked it. (laughs) We were quite happy about that. However, the real test of course is the 21st of Jan, when the film actually opens to the public all over the place. We are quite excited and nervous about how that is going to play out, because it is a very unusual film for Indian cinema. We are not used to these characters. We are not used to making these kinds of films. So, I am not quite sure how people will take to it or how many people will be interested in a film like this, but we will get to know.
What are your proudest about with Dhobi Ghat?
Actually you know the way Kiran has made the film... it is everything about it. See this is a film, which is very subtle and very delicately made. It is about moments, as I said it is a slice of life film. It is about the unspoken things, it is about life and longing, loving and loss. I love the music of this film. I love the performances. I think all the performances, except mine, are all great. I think the three actors, Prateik, Monica and Kriti (they were doing their first films) have given such a raw and real and effective performances. They really touch your heart. I have learned a lot watching them.
Do you find there is a different energy when you are working with newcomers?
I think what energizes me is working with people who are excited about what they are doing. Doesn't matter what their ages. What matters to me are that they are excited about it, they are charged, they have a positive and happy attitude towards the work. It's like all of us having a great time and playing. I love cinema; it is not work to me. That's what I like and that's the kind of atmosphere I like on set. Having said that, the younger people tend to have more of these qualities I mentioned. But it is not to say that people that have been working for a long time and for a number of years don't have these qualities. I personally believe that I do have these qualities. I really enjoy this work.
What do you love about being an actor?
I love the fact that I am part of the story, I love the fact that I am part of the process of storytelling. I love that fact that I can make people laugh and cry and touch them in so many ways and move them and hopefully affect their lives.
With that he said, 'it was nice talking to you' and on he went to another interview. We would like to thank Mr. Khan for talking with us about Dhobi Ghat and hope to get much more time with him in the future. Dhobi Ghat has already garnered rave reviews, in fact, we were there at the Toronto Film Festival and our journalist called it "poetry on film". It seems that even if this is not your

typical Bolly film, it is something we all must experience. Dhobi Ghat opens in theaters on January 21st. And stay tuned, because we have even more special features coming soon, including interviews with Prateik Babbar and Monica Dogra.
From the get go Anaganaga O Dheerudu or Once Upon A Warrior is bound to grab your attention for many reasons. One of the main reasons is that it's Disney's first live action film in Telugu and add in that is jointly produced by the legendary K.Raghavendra Rao, it has a National Award winning director, Prakash Kovelamudi in his first full length feature, and a lead cast that consists of Siddharth, Shruti Haasan and Lakshmi Manchu and you have got a film that any film buff would want to check out. Then the soundtrack boasts of composers from the experienced to the upcoming including M.M.Keeravani [aka M.M.Kreem], Koti, Salim-Suleiman and Mickey J Meyer coming together on one fabulous OST. But with all this talent, the question remains do they succeed? Read on to find out.Taking from the classic Good vs. Evil story-telling that is a Disney trademark, we begin with the story of Angarajyam, a tear drop shaped island that suffers under the cruel reign of Irendri [Lakshmi Manchu], an evil sorceress that possesses magic powers from a pact made with serpents [Sarpa Shakthi]. But no matter how powerful, even Achilles had a weakness and for Irendri, her powers rely on a mysterious figure that gives her a drop of blood every day. Even if she misses one day, she becomes very weak to the point of being powerless. The only way to rid herself of this dependency and to achieve her ultimate aim of immortality and power she must sacrifice a divine child by the name of Moksha [Harshitha]. With Moshka's blood, Irendri will transform from her spirit in the human shell state into the most powerful being across the land and will be virtually unstoppable. She sends her men to find the child, but Moksha is also being sought by the people of a small village called Agartha. With the ability to heal, they hope she can heal their children that suffer from mysterious diseases implanted by Irendri. They send forth a villager named Druki [Ramji] to bring her back for help. Moksha, along with her guardian, a blind warrior named Yodha [Siddharth] who lives with a painful past, and Druki, travel from the Kazi monastery in Pushpagiri to Agartha. Of course, as it is in all good vs. evil stories they don't know of the danger that lies ahead. Do they make it in time to save the children? Who is the mysterious figure Irendri relies on? Does Irendri succeed in her plan? And what happened in Yodha's past that still haunts him? The answers to these questions form the crux of the story.
Now to the performances: Siddharth is an absolute delight to watch. The way he plays Yodha makes him both lovable and dignified. As a common villager with an extraordinary talent and an enormous responsibility, he adds a human touch with the mischievous streak yet maintains the sharp wit of a warrior. Incidentally, the actor has not done an action-based role like this before, but has shown he is quite capable without the OTT six-pack bare chested poses. Shruti Haasan may be playing the typical "damsel in distress", but she is far from the ditsy "save me" type. Almost picture perfect for the role, she maintains a feisty nature, yet oozes sensuality and charm that is bound to appeal to all. Yet these two are almost gobbled up by the talented Lakshmi Manchu. Daughter of legendary actor Mohan Babu, she takes the role and transforms into a larger than life figure that will make some question if this is really her debut. A complete natural as Irendri, her voice modulation alone is bound to chill you to the bone especially as Sarpini, the serpent spirit residing in Irendri's tresses. Young Harshitha is an integral part of the story and shows confidence beyond her age. Ravibabu, Subbraya Sharma and Ramji do justice to their roles while Brahmandam and Ali tickle the funny if only for a few scenes.
Fairy tales are a hard style to pull off on celluloid and in less capable hands; a film like this can fall flat miserably. However, Prakash Kovelamudi not only infuses the right amount of human emotion and values with fantasy but also, shows it in a way that's unique and universally understandable. There will not be a moment that you will feel you have seen this somewhere else. Hats off to Prakash's imagination. The presentation i.e. the cinematography [Sounder Rajan], production design [Raj Golay] and art [Bhupesh R Bhupathi] is amazing. The visual effects team at Firefly deserve a very special mention for their work, both obvious and hidden. The detail is evident and remarkable. All four music directors leave their trademark stamp on the soundtrack as Salim-Sulaiman do what they do best with the background score, charm and enchant.
With so many pluses, what about the minuses? To be honest yes, they are there. As mentioned Harshitha is a central character so while she has done her bit and there is an explanation for her existence, a bit more depth to the character would have helped to fill out her role. Also, the dialogues of the film are meant to be folklore styled but at times, the emotion could have been expressed much stronger for a deeper connection. With such a shrewd director at the helm, editor Shravana Kartikaneni's job is made easy, but one does feel a jerk in the screenplay every now and then.So does Disney and K.Raghavendra Rao's magnum opus Anaganaga O Dheerudu work? Yes, definitely. As a whole package the film is sure to delight its audience with great visual, amazing performances and a simple yet appealing story. Who is this film directed at? Well, the answer to that lies in the age old phrase, you are only as old as you feel. The movie enchants, bewitches and mesmerizes just like a Disney classic would and theirs is an audience that has passed several generations and continues to do so. For me it gets 4 stars!
MUMBAI: Bollywood actress Raveena Tandon along with other models walked the ramp in a fashion show in Mumbai.She was wearing beautiful clothing and walked the ramp of the fashion show organized on the theme of tall height.
While expressing her views at the end of the show, Raveen said it was a very exciting show of its kind, adding that she enjoined a lot in the show.
MUMBAI: Shah Rukh Khan has scores of reasons to rejoice for. The actor, who bagged the prestigious Zee Cine Award in the Best Popular Actor category, will soon be seen romancing the dazzling Katrina Kaif onscreen. With the duo not having a single movie together to their credit, many top movie directors are now gearing up to bring the dishy pair together for a film.And even though the infamous fight between SRK and Salman at Katrina’s birthday party had made her averse to sharing screen space with SRK, the fact that all leading ladies have romanced SRK is now persuading Kat to follow suit.
And that’s not all. As per reports, even Shah Rukh is keen to work with Katrina. Sources have revealed, "At Hrithik Roshan’s birthday bash, Katrina was seen enjoying SRK’s company.
The two talked for a long time and there was hardly any sign of animosity between the two. Not only that, Shah Rukh even escorted Kat back to her car. She left the party with Karan Johar.”
As for the director that is working hard to bring the two together onscreen, it’s none other than Karan Johar. Well, here’s looking forward to this jinxed pair coming together.
She made an outstanding debut in the film Parineeta and since then Vidya Balan has lived up to the promise she showed in her first film. She has gone on to play many different characters and with each new role, Balan tries something new and impresses. She is an actress who gets lost inside her characters and is now considered one of the best actresses in the Hindi Film Industry. In her recent films, the actress has taken roles a little off the beaten path and has really proved her amazing talent. She was given rave reviews for her performances in both 2009's Paa and last year's Ishqiya. She continues that path of offbeat roles with Sabrina Lall in No One Killed Jessica. The role required Balan to be stripped down, both in look and character, to play a woman fighting for justice for her murdered sister. In an exclusive interview with BollySpice, the actress talked with us about playing the role in the highly anticipated film.
You always seem to choose unique roles. What do you take into consideration when deciding which roles to say yes to?
I think primarily the script, my role in it, the director, the producer, but over and above all of this I think my gut, because there are times when everything seems in sync. You have the perfect script, you have a fabulous role, you have director you connect with, you have a very credible producer; but something from within says this is not for you. So, I think, over and above everything is my gut.
What was it about the role in No One Killed Jessica that made you say 'this is a role I must do'?
One, because I think Sabrina Lall is one of the real life heroes in recent times. Her journey has been unbelievable. From being someone who probably likes to get lost amongst a crowd of ten or even among a larger crowd, someone who likes a certain inconspicuousness, who is almost like a wallflower, she came from a sheltered, protected background. For someone like that to suddenly face such a harsh reality and take charge and slowly put up a fight for so many years, relentlessly, is just a show of inner strength. I think I found that journey extremely empowering. One, just as a person, I've always found that interesting and inspiring. Then in the script, it was doing justice to that journey, which is what I wanted it to be and I was being offered that part. That was my reason to be in the film.
How do you prepare to play a role like Sabrina Lall?
I've really based my interpretation and characterization on the script because it's very tricky when you are playing a real life character, especially one like Sabrina. While on the one hand you have access to all the facts, the sequence of events and peoples' reactions and all of that, the emotional journey is something that is not accessible to you, because you obviously can’t expect her to relive or revisit that journey. That would have been very insensitive of us. She was kind enough to share with Rajkumar Gupta, the director, a lot of facts from her experience and feelings through her journey which he incorporated in the script, and which lent it that much more credibility. Beyond that, I really had no access to her emotional journey. We've all at different point in time imagined what it must have been like for her, but we really don't know. So, I used my imagination and along with the director, with a basis of the script, actually charted an emotional journey for her. There was no preparation otherwise. Like in any other film, my script was my bible here.
Was it difficult journey to go on to play her? Just getting inside her and portraying all those emotions you imagined?
I think it's daunting because that kind of show of strength is almost unimaginable. There has to be a certain amount of sensitivity when you are portraying a real life character. I didn't know at certain points sometimes how to react. For example, most crucial, I didn't know how someone would react if they heard that their loved one was just shot down. That, for me, was the most challenging scene in the film. It's beyond me. I don't even want to imagine it as a person. To be able to actually play out that scene, I think I was a bit stumped. I didn't know as an actor what to do because even as a person I don't want to imagine it. There were lot of moments when I said, 'My God! Did this really happen?' There were times when I felt anger, there were times when I felt helpless, there were times when I felt elated. Of course, this film is not a documentary feature. It is a feature film. So, there is a lot of fictionalization. There is dramatization. To me, if you ask what really is where fact and fiction meet - to me, fact is what happened, fiction is how it happened. While a lot of the things I am reacting to may have been the director’s interpretation, nonetheless there is only so much any of us would really know. Only the people who went through it would know the exact truth about what motivated, what prompted, what went through them when that happened.
That must have been difficult. I can't imagine getting yourself into a place that you have to portray that...
Yes, yes. I wouldn't say exactly difficult but there were times when I didn't know what to do. It was unimaginable.
How was it working with director Rajkumar Gupta?
Raj has a certain hunger which he infused into me and into the entire team. It is one of the reasons I got really encouraged to do the film. I am consciously calling it hunger. It's not even passion, it's a hunger to tell the story. It's hunger to shoot a particular scene a certain way. That is very, very rare. I hope this is the only time in life when I wish someone a lifetime of hunger! (Laughs)
How did he guide you along this character's emotional journey?
I think he had done such a fabulous job on the script that we were on the same page very, very early in the process. We, of course, charted out the emotional journey, like I said, but as we went along we worked our way through. I must say that he stripped me of my excesses, whether it was makeup, hair and clothes or even in terms of the drama, he's managed to bring in a very palpably real quality to Sabrina.
That must have helped you get into the character, the glasses, the clothes because she is someone who is so behind the scenes until she has to take on this.
Precisely, and that is the quality we really wanted to portray. Her journey is very interesting - a wallflower emerging into a hero. So, we needed that quality of her being regular, you know, the girl next door, who actually metamorphosis into the hero she is today, into the icon she is today. So, to bring in that real quality, he stripped me of the excesses.
How was it working with Rani Mukherjee?
Fabulous. We don't have too many scenes in this film. She's an actor I really admired amongst my immediate seniors. I was glad we got to work together on this film because this film is really about these two girls who are instrumental in bringing justice to Jessica. When you are faced with an actor like Rani Mukherjee it lends it that much more credibility. They are completely different roles and that contrast in the personalities came through beautifully, if I may say so myself. (Laughs)
You shot a lot in Delhi. Tell us about that experience and the scenes that were done with the hidden camera.
Oh yes! I've seen Delhi the way I've never seen it before, and I don't think I'll ever get a chance again to see Delhi the way I have. I've walked through all sorts of places, through crowds filled with people at crossings. In broad daylight, I walked through crowded streets with no one ever noticing me because there was the hidden camera and they don't expect a star dressed the way I was. It was very thrilling. There were times where I was forgot I was really shooting. (Laughs) It was fantastic.
The press/media was shown to be quite pivotal in the film. What are your thoughts on the media today?
Pretty much what they were before, because one really didn't need a film to realize that the media played an extremely pivotal role in this case. It really not only mobilized public opinion, but I think it united people from all over the country, people who backed Sabrina in her struggle, in her fight for justice. So, I think you realized what an important force the media was even before this. But, anyone who has not followed the case probably doesn't know the extent to which the media contributed. This film will always be there on celluloid for people to realize what a movement this had become and how the media was spearheading that movement.
What do you hope audiences will take away from this film?
One, I think they will feel very inspired by Sabrina. Just the fact that she never gave up. And how the universe actually conspired to bring justice - so justice prevailed. The other is that, you know, united we'll always stand. I think that is the real take away from the film.
What do you think about Amit Trivedi's music?
I think his music has really contributed to the film in the sense that it elevates certain moments beautifully. These are not lip-sync songs; it is a background score. When a song really elevates a moment and does justice to it and brings it alive, I think, it's beautiful. A lot of times the music in films is indifferent or sometimes it even hampers the scene. But his music really beautifully elevates some of those moments and does justice to them.
What do you love about acting?
I think it feeds the schizophrenic in me (laughs), the need to live someone else's life vicariously for a while even as I continue to live my own.
Do you have a hard time letting go of characters once you are done?
Not a hard time. Invariably at the end of the film you feel a bit empty, but you get over that. You just feel like you've been this other person for so long. You've known this other person intensely and you never again will know that person. You have to let go. It's almost like you are possessed by this other person for a while. Then that person is extricated from you. Whatever there was will be on celluloid forever, but beyond that that's where it all ends.
What will we see you in next?
Sujoy Ghosh's Kahani, which I've completed work on. It's a thriller, which is entirely shot in Calcutta. I'm really looking forward to the release. Then there is The Dirty Picture, which I'll start work on in a little over a month, and will start preparation for that in a few weeks.
Do you only do one film at a time?
Yes, I do. I can't multitask. I definitely am schizophrenic, but don't think I've got a multiple personality disorder! (Laughs)
Do you have a message to your fans?
Yes! I really hope you guys go to the theatre and watch No One Killed Jessica and appreciate and enjoy the film. Thank you for all the appreciation for my work so far. I do get a lot of mail from the US and it's very, very heartening. I'm hoping to visit soon.
You always seem to choose unique roles. What do you take into consideration when deciding which roles to say yes to?
I think primarily the script, my role in it, the director, the producer, but over and above all of this I think my gut, because there are times when everything seems in sync. You have the perfect script, you have a fabulous role, you have director you connect with, you have a very credible producer; but something from within says this is not for you. So, I think, over and above everything is my gut.
What was it about the role in No One Killed Jessica that made you say 'this is a role I must do'?
One, because I think Sabrina Lall is one of the real life heroes in recent times. Her journey has been unbelievable. From being someone who probably likes to get lost amongst a crowd of ten or even among a larger crowd, someone who likes a certain inconspicuousness, who is almost like a wallflower, she came from a sheltered, protected background. For someone like that to suddenly face such a harsh reality and take charge and slowly put up a fight for so many years, relentlessly, is just a show of inner strength. I think I found that journey extremely empowering. One, just as a person, I've always found that interesting and inspiring. Then in the script, it was doing justice to that journey, which is what I wanted it to be and I was being offered that part. That was my reason to be in the film.
How do you prepare to play a role like Sabrina Lall?
I've really based my interpretation and characterization on the script because it's very tricky when you are playing a real life character, especially one like Sabrina. While on the one hand you have access to all the facts, the sequence of events and peoples' reactions and all of that, the emotional journey is something that is not accessible to you, because you obviously can’t expect her to relive or revisit that journey. That would have been very insensitive of us. She was kind enough to share with Rajkumar Gupta, the director, a lot of facts from her experience and feelings through her journey which he incorporated in the script, and which lent it that much more credibility. Beyond that, I really had no access to her emotional journey. We've all at different point in time imagined what it must have been like for her, but we really don't know. So, I used my imagination and along with the director, with a basis of the script, actually charted an emotional journey for her. There was no preparation otherwise. Like in any other film, my script was my bible here.
Was it difficult journey to go on to play her? Just getting inside her and portraying all those emotions you imagined?
I think it's daunting because that kind of show of strength is almost unimaginable. There has to be a certain amount of sensitivity when you are portraying a real life character. I didn't know at certain points sometimes how to react. For example, most crucial, I didn't know how someone would react if they heard that their loved one was just shot down. That, for me, was the most challenging scene in the film. It's beyond me. I don't even want to imagine it as a person. To be able to actually play out that scene, I think I was a bit stumped. I didn't know as an actor what to do because even as a person I don't want to imagine it. There were lot of moments when I said, 'My God! Did this really happen?' There were times when I felt anger, there were times when I felt helpless, there were times when I felt elated. Of course, this film is not a documentary feature. It is a feature film. So, there is a lot of fictionalization. There is dramatization. To me, if you ask what really is where fact and fiction meet - to me, fact is what happened, fiction is how it happened. While a lot of the things I am reacting to may have been the director’s interpretation, nonetheless there is only so much any of us would really know. Only the people who went through it would know the exact truth about what motivated, what prompted, what went through them when that happened.
That must have been difficult. I can't imagine getting yourself into a place that you have to portray that...
Yes, yes. I wouldn't say exactly difficult but there were times when I didn't know what to do. It was unimaginable.
How was it working with director Rajkumar Gupta?
Raj has a certain hunger which he infused into me and into the entire team. It is one of the reasons I got really encouraged to do the film. I am consciously calling it hunger. It's not even passion, it's a hunger to tell the story. It's hunger to shoot a particular scene a certain way. That is very, very rare. I hope this is the only time in life when I wish someone a lifetime of hunger! (Laughs)
How did he guide you along this character's emotional journey?
I think he had done such a fabulous job on the script that we were on the same page very, very early in the process. We, of course, charted out the emotional journey, like I said, but as we went along we worked our way through. I must say that he stripped me of my excesses, whether it was makeup, hair and clothes or even in terms of the drama, he's managed to bring in a very palpably real quality to Sabrina.
That must have helped you get into the character, the glasses, the clothes because she is someone who is so behind the scenes until she has to take on this.
Precisely, and that is the quality we really wanted to portray. Her journey is very interesting - a wallflower emerging into a hero. So, we needed that quality of her being regular, you know, the girl next door, who actually metamorphosis into the hero she is today, into the icon she is today. So, to bring in that real quality, he stripped me of the excesses.
How was it working with Rani Mukherjee?
Fabulous. We don't have too many scenes in this film. She's an actor I really admired amongst my immediate seniors. I was glad we got to work together on this film because this film is really about these two girls who are instrumental in bringing justice to Jessica. When you are faced with an actor like Rani Mukherjee it lends it that much more credibility. They are completely different roles and that contrast in the personalities came through beautifully, if I may say so myself. (Laughs)
You shot a lot in Delhi. Tell us about that experience and the scenes that were done with the hidden camera.
Oh yes! I've seen Delhi the way I've never seen it before, and I don't think I'll ever get a chance again to see Delhi the way I have. I've walked through all sorts of places, through crowds filled with people at crossings. In broad daylight, I walked through crowded streets with no one ever noticing me because there was the hidden camera and they don't expect a star dressed the way I was. It was very thrilling. There were times where I was forgot I was really shooting. (Laughs) It was fantastic.
The press/media was shown to be quite pivotal in the film. What are your thoughts on the media today?
Pretty much what they were before, because one really didn't need a film to realize that the media played an extremely pivotal role in this case. It really not only mobilized public opinion, but I think it united people from all over the country, people who backed Sabrina in her struggle, in her fight for justice. So, I think you realized what an important force the media was even before this. But, anyone who has not followed the case probably doesn't know the extent to which the media contributed. This film will always be there on celluloid for people to realize what a movement this had become and how the media was spearheading that movement.
What do you hope audiences will take away from this film?
One, I think they will feel very inspired by Sabrina. Just the fact that she never gave up. And how the universe actually conspired to bring justice - so justice prevailed. The other is that, you know, united we'll always stand. I think that is the real take away from the film.
What do you think about Amit Trivedi's music?
I think his music has really contributed to the film in the sense that it elevates certain moments beautifully. These are not lip-sync songs; it is a background score. When a song really elevates a moment and does justice to it and brings it alive, I think, it's beautiful. A lot of times the music in films is indifferent or sometimes it even hampers the scene. But his music really beautifully elevates some of those moments and does justice to them.
What do you love about acting?
I think it feeds the schizophrenic in me (laughs), the need to live someone else's life vicariously for a while even as I continue to live my own.
Do you have a hard time letting go of characters once you are done?
Not a hard time. Invariably at the end of the film you feel a bit empty, but you get over that. You just feel like you've been this other person for so long. You've known this other person intensely and you never again will know that person. You have to let go. It's almost like you are possessed by this other person for a while. Then that person is extricated from you. Whatever there was will be on celluloid forever, but beyond that that's where it all ends.
What will we see you in next?
Sujoy Ghosh's Kahani, which I've completed work on. It's a thriller, which is entirely shot in Calcutta. I'm really looking forward to the release. Then there is The Dirty Picture, which I'll start work on in a little over a month, and will start preparation for that in a few weeks.Do you only do one film at a time?
Yes, I do. I can't multitask. I definitely am schizophrenic, but don't think I've got a multiple personality disorder! (Laughs)
Do you have a message to your fans?
Yes! I really hope you guys go to the theatre and watch No One Killed Jessica and appreciate and enjoy the film. Thank you for all the appreciation for my work so far. I do get a lot of mail from the US and it's very, very heartening. I'm hoping to visit soon.
Since he first announced that Shahid Kapoor would star in his next film there has been a lot of speculation as to who will star opposite him in Kunal Kohli's next film. We can now report that Kohli himself has confirmed it will be Priyanka Chopra!
Kohli has been teasing fans on Twitter for the last month on who it might be and finally today he tweeted, "Priyanka Chopra will star opposite Shahid Kapoor in my next film. Pritam is the music director. Lyrics Prasoon Joshi."
As for the title, well that is still to be decided but star Shahid tweeted this clue, "N just to clarify my film with @kunalkohli is untitled and rest assured the title will not be the length of a sentence ..."
Early reports said that the film is a romance that spans over 100 years but the actual story is not known, only that it will be a romance. Watch this space for more because we will keep you in the know about this exciting project!
The most democratic awards of the season have arrived and that for the first time in the history of Indian Cinema. Founded just this year, the Tweeple Film Awards aka TwiFi Awards is without a doubt the most talked about awards this season with its unique concept that promotes "Of the tweeple, By the tweeple and For the tweeple, to honour the most deserving in Hindi Cinema 2010." A movement that promotes talent over star power.The jury of the awards comprises of a mix of India's most respected critics, as well as film buffs on Twitter, who've been chosen by Twitterati through a democratic voting system, over a period of four days. The jury was announced yesterday with a selection of 30 film buffs making it on the team alongside some of the most well known critics in current times such as Rajeev Masand (CNN IBN), Minty Tejpal (Mumbai Mirror) and Pavan Jha (BBC India).
BollySpice is pleased to report that our very own writers/critics have made a mark for themselves in the world of writing by entering the group of 30 Jury Members selected through votes. Stacey Yount (Editor-in-Chief, BollySpice), Prathna Tiwari (Editor, BollySpice) and Pooja Rao (Writer) made their way into the list.
As a desi match-maker in London, I am always analysing people and relationships, looking for signs of compatibility. I recently watched the gorgeous Kareena Kapoor and Saif Ali Khan on Koffee with Karan Season 3 – a thoroughly entertaining and witty show that is a must on Sundays, and so naturally during the entire show I was thinking “Will this couple tie the knot in 2011? Do they seem compatible?” Let’s take a look at what I saw.Firstly, the couple looked very relaxed and comfortable with each other, laughing and smiling. During the “rapid fire” section however Kareena had a couple of “tantrums” when Saif did not guess correctly her favourite holiday destination. She snapped at him about her Diwali present and how she is planning on taking it back....oh dear!
Overall though, Saif seemed totally smitten by Kareena and even mentioned he is a little jealous as she is “so stunning”. I truly believe that for relationships to work, the man has to be so much more in love with the women than she is in love with him.
When match-making, I often look at zodiac-sign compatibility so let’s take a look at our Bollywood couple’s “love match” based on their zodiac signs.
Kareena Kapoor
She is 33 years old, born on 21 September and is a Virgo. Virgo’s tends to be practical and diligent, meticulous and reliable. On the surface they are emotionally quite cold. But the outward lack of feeling may conceal too much emotion, which they are afraid of giving away as they do not trust others.
Saif Ali Khan
He is 40 years old, born on 16 August and is a Leo. Leo’s are generous and warm-hearted, faithful and loving. However, they are the most dominant and extrovert of all the zodiac signs.
Love Match
Leo and Virgo are a compatible love match as long as they both understand each other’s nature and expectations. They key in Leo and Virgo compatibility does not lie in changing each other, but on the contrary, on bending a bit to make their relationship work for a life time!
So, my prediction for marriage between Kareena and Saif in the near future? It’s a “yes”!!

Mumbai: Now that her `Tees Maar Khan` is over and done with, filmmaker Farah Khan is all set indulge in her first love, choreography. She`s been asked by Aamir Khan to choreograph a song for `Delhi Belly`.
Confirming her professional reunion with Aamir after 10 years, Farah says, "Yes, I`m doing a song for Aamir`s `Delhi Belly` because he has asked me to."
So, does this mean Farah is returning to choreography in a big way?
Retorts Farah, "Not at all! I don`t actively do choreography any more. Only a song here or there for friends. Besides Aamir`s song I will be doing the `Housefull 2` numbers for my brother Sajid and, of course, my husband Shirish Kunder`s `Joker`. That`s it for now. No more choreography this year. I`m busy writing my next script."
"Delhi Belly" was completed by director Abhinay Deo last year.
The project is as special to Aamir as his wife Kiran Rao`s "Dhobi Ghat" because it stars his nephew Imran Khan. The quirky film about a prodigal`s return to the capital has been described as a sex comedy.
The song choreographed by Farah Khan in "Delhi Belly" would be filmed on Imran Khan. Apparently Aamir wants the same feeling of youthful vibrancy in it that Farah had created for Aamir in the "Pehla nasha" number in "Jo Jeeta Wohi Sikandar".
"Pehla nasha" was the first song that Farah choreographed. After "Jo Jeeta Wohi Sikandar", she has choreographed only twice for Aamir, in "Sarfarosh" and "Dil Chahta Hai".
Aamir`s attention is now turning towards its post-production work, now that Kiran Rao`s directorial debut "Dhobi Ghat" is about to release.
Deo has moved on to his next project, "Game", for producers Farhan Akhtar and Ritesh Sidhwani.
Mumbai: Bollywood`s chocolate boy Imran Khan finally bid adieu to bachelorhood and married long time girlfriend Avantika Malik here Monday. He said he is very happy.The couple is off to Thailand Tuesday for their honeymoon but not alone - 50 guests will be accompanying the newly-weds.
Imran, who had been dating Avantika for the past eight years, had a registered marriage at his superstar uncle Aamir Khan`s house in Pali Hill.
After the wedding, Imran came to his house with his newlywed wife in a black Porsche decorated with white flags with ‘Just Married’ written on them. The house was decorated with flowers and lights.
Both wore beautiful traditional wedding costumes - Avantika was wearing a light grey lehenga choli with a red border and gold work and Imran was dressed in a black bandhgala.
"I`m not feeling married right now, it will take some time to sink in. I`m very happy" Imran told reporters after reaching home.
Asked how he felt after breaking the hearts of his female fans, the 27-year-old said: "I`ve been in a relationship for the past eight years so the point of breaking hearts doesn`t arise. Everyone always knew that I`m dating and was never single, so getting married is nothing new."
Imran`s maternal uncle, Aamir was dressed in black sherwani with self-print and a maroon churidar and his wife Kiran Rao went traditional too, donning a purple-gold lehenga choli.
"We are very happy for both of them and all our blessing are with them. I hope they have a happy married life and have lots of kids," said a visibly elated Aamir.
The actor will be hosting a grand reception once the couple returns from their honeymoon. The date has not been fixed, but it is scheduled for the end of this month.
After the wedding, the couple hosted a quiet dinner for close family and friends at Taj Lands End Hotel.
Mumbai: Talented actress Kangna Ranaut who had decided to design her own clothes for films has given up on her attempt to do so. Earlier it was reported that the stunner had planned to design her wardrobe for comedy king David Dhawan’s latest ‘Rascals’ and filmmaker Priyadarshan’s ‘Tez’. Apparently, the actress finds herself running short of time to do multi-tasking.
Talking to a tabloid, Kangna’s friend revealed, “She has realized that she can’t do justice to two professions at the same time.”
Considering the fact that costumes are one of the highlights of movies these days, Kangna realized that it wasn’t her cup of tea to don the cap of a designer.
“Pehle usko laga ki who kar payegi. But after she got into it, she noticed that she hadn’t done the right thing. Styling clothes for films today isn’t what it used to be in the past. A lot of attention is paid to material used, exquisite accessories etc. Apart from acting Kangna was having to put in double the amount of work into styling her own clothes”, said a source.
Nevertheless, Kangna is game for the job of a designer in future.
Confirming her decision to give up designing, Kangna said, “I styled my clothes for two films. That’s it. Not anymore. I experimented with what I felt I should pursue. But nahin ho raha hai. Maybe I’ll give it another shot in the distant future.”
Also after sleazy wardrobe malfunctions that the actress underwent, Kangna will certainly not like to take any more chances to ruin her fashionista image.








